I… Am… Tired…

I’m tired of black people getting the cops called on them for no reason.

I’m tired of black people dying from scared ass police

I’m tired of innocent people, let alone kids, dying

I’m tired of school shootings

I’m tired of people not understanding why people want to change gun laws

I’m tired of hearing about this on the news

I’m tired of being looked at as a threat to White people

I’m also tired of being the “cool” black guy to other White people

I’m tired of being seen as not enough

I’m tired of bullies

I am tired of fat shamers

I’m tired of the internet

I’m tired of Facebook

I’m tired of Twitter

I’m tired of my lgbtq+ community being treated unfairly

I am tired of people not standing up for what’s right

I’m tired of you thinking everything is ok

I’m tired of racists

I’m tired of Donald Trump

I’m tired of Sarah Sanders

I’m tired of seeing my people systematically being pushed out of their neighborhoods they’ve lived in for generations

I’m tired of you not caring

I am tired of overly Christian people who refuse to live outside of their Christian beliefs.

I am tired of being judged

I am tired of people saying “no offense but…”

I’m tired of you saying “stop making this about race”

I am tired if you not realizing that this is ALL about race

I am tired of you not talking about it.

I’m tired of you not acknowledging that this is reality

I am tired of you…

I… Am… Tired…

Childish Gambino’s New Video Made Me Cry

If you haven’t seen it. Here it is, in all it’s wonderful beautiful glory

Now, why did I cry? Why did the video make me cry?

Well for one, it’s named “This is America”.  This video is full of truths about our society as a whole, and as I sat there watching it for what felt like the millionth time, I started to shed tears, because the meaning continued to weigh heavy on my heart.

The main point in this video is basically showing how distracted or little we tend to care about what’s going on in society.  As we see Gambino dancing with these school kids, as if nothing is going on.  From the opening scene we hear a chant, basically describing that we just want to have fun and that we just want to have a good life.  Starting off the song with an up-beat, African influenced chant “We just wanna party, Party just for you, We just want the money, Money just for you…” and from there things get grim when Gambino pulls out a gun and shoots a man with his head covered…and utters the words:

“This is America, Don’t catch you slippin up…”

Like…WHAT?!?!?

And the scene afterwards, which was noted by many outlets online, showed Glover handing off the gun to someone else, who had a red scarf of some sort, taking the gun off screen ever so carefully.  And what does he do after all of this commotion? Starts to dance as if nothing happened.  It’s a mirror on how society is taken aback by the sheer horrendous nature of America, but will then turn their eyes to something else as if the event that just happened never occurred.

The dancing in the video is a distraction. The lyrics, while basic in delivery, tells a simple story of our country.  “Police is trippin”, “I got a strap, I gotta carry em”, etc.  but the song alone does not make this the epic experience you should be hearing. The video is what you should pay attention to.

Gambino even goes to murdering a church choir, symbolizing the Charleston shooter from a few years back, and again the gun, which looked like and Assault Rifle, was taken away with care, which Glover, in turn, decides to start dancing again.  Symbolizing the initial shock of a tragic incident, but how we are quick to move along and forget about things again.

And while Gambino is dancing around with his crew, the background is just full of chaos.  The world around us in burning, but we’re focusing on the wrong things. And while all of these things are going on, we’re dancing, rather the Hip Hop community is dancing, and “getting their money”.  That’s what it’s all about.  As a black male in America, the chaos in the background is what we deal with on a normal basis, but society is being blinded. These things continue to happen, and people are out here just “getting their money” but not out here striving to make a change.  Obviously this is just my opinion and how I view it, but as the chaos goes on in the background, we’re just out here doing our dance. Whether that dance be “dancing for the man to ‘get that money'” and not challenge the status quo, or the dancing around people do to avoid the hard conversations.  However, there is a point where  this video screams how much America loves our art, but not our lives.  The outro goes like this:

“You just a Black man in this world
You just a barcode, ayy
You just a Black man in this world
Drivin’ expensive foreigns, ayy
You just a big dawg, yeah
I kenneled him in the backyard
No probably ain’t life to a dog
For a big dog”

If this doesn’t scream “we’re just loved for our entertainment” I don’t know what is.  They don’t love us, they just love our culture.

This is America, where people want to believe it or not.  And this is why I cried.  Because while we are enjoying our lives, there will always be a next time, and a time after that, unless something is done about it.  Being a black man in America only amplifies the hurt, due to injustices that we have to worry about on a daily basis when it comes to police brutality and racism.  And that reality just breaks my heart…

Donald Glover, you are a genius and most of America doesn’t deserve you.

Just “Regular” Black

Often, the first things people notice about me are my  face full of freckles (that seem to take over my body the older I get) and my greenish eyes. It’s particularly jarring an noticeable to people because I’m just “regular” Black. 100% Black, nothing else and 100% proud.

Growing up, people constantly asked me “what was I?” Or complimented me on how I looked like a “white woman” or at the very least mixed. As I got older, redbone was the compliment of choice by men, who were always fascinated by my “exoticism” and wanted to know if my mother or father was white. Family members also often told me that I looked mixed, if only my hair was a silkier (My hair is the give away. In its natural state, it is a beautiful kinky, jet black, ball of wool – nothing European about it.). And as I got into weaves and wigs, this was even further solidified. I grew up thinking being Black wasn’t good enough, that it was a good thing to be lighter skinned, asked “what are you?” and to be mistaken as only half negro. Although I didn’t necessarily see it as better to me, I realized that it was compliment in the world I grew up in. And so I allowed it to happen, smiling sheepishly as I responded (gross).

After constantly being asked this question though, I began to get annoyed, quickly. I became confused every time someone’s face fell when they learned I was just “regular” Black. As I learned more about paper bag tests, and doll experiments, and well, colorism in general, I grew angry. When I realized my fellow sister friends with beautiful skin were often disregarded, felt inferior, and men trashed them, I was disgusted. And when my own siblings told me about hatred for their  darker skin and wishing they had mine, I felt incredibly sad and heartbroken. And then I realized that in a very complicated world of color and race, in some ways, I have privilege. And in other ways, I’m very much the victim of racism. And that either way, I had to shift my thinking and what I allowed others to say or do around me.

And so began my bitchy remarks to those who questioned my ethnicity. “I’m Black mixed with Black,” I replied before it was a popular t-shirt. “Redbone isn’t a compliment to me, and I’m actually offended that you would insult my fellow sisters like that,”  I replied every single time a man would send me a message complimenting me on my light skin and how he prefers that.  I try my best to affirm others about their beauty and advocating when I can for others when I can. I intentionally use a rainbow of shades in my presentations. I remind people that being multiracial is wonderful, but simply being Black is wonderful too.  Most importantly for my own self, I will not accept any compliment that is about how exotic or “other” someone finds me.

I’ve also learned that my skin color comes with down sides too. Many people think I’m a “safer” type of Black, and are surprised and annoyed that I’m afrocentric and speak about racism often. Men expect me to be a little less opinionated. I’m “pretty for a Black girl” in some white spaces. I’m sometimes stereotyped as stuck up, not down, or self-centered. I work hard to disprove these things, but I try to not get caught up in that, because I know for every time those annoyances happen, a darker skinned woman is denied a job, a relationship (you don’t need him or her though honey, you too good for that), stereotyped,  “pretty for a dark skinned woman” or humiliated. I’m so sorry you go through that. I’m so sorry if I have ever been part of that problem. Please know that I stand by your side and am an ally today.

I cannot change the color of my skin or eyes. I love my freckles.  However, what I can do is claim my Blackness, never back down or allow slick shit  people say to slide, and be an active participant in dismantling colorism in our community.

So to answer your question,  I’m 100% Black queen goddess mixed with Black strength. That’s it. Just you know, “regular” Black.

Say it Loud!…I’m Black and I’m Proud!

I’m rooting for everybody Black.
-Issa Rae

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Despite popular belief, I’m black, and I love being black, and I would not trade that in for the world.

Watching Black Panther in theaters opening weekend was just such an amazing experience. An experience I have not been able to see at a mainstream level in such a long time, if ever. In its first weekend, Black Panther made $218 million. 218!!!!!! To put this in perspective, the Jordan Peele written and directed “Get Out”, which is another great movie, opened up with $33 million and “Girls Trip”, another movie for the culture, opened up with $31 million. Like, can your mind even process this right now? Black people have been WINNING for the past year and some months. However, even though “Get Out” and “Girls Trip” didn’t break the top ten grossing movies of 2017, they did place 15th and 26th respectively. Which isn’t an easy feat. We showed up! We did it y’all. But I can’t help but think we can do better. I can’t wait for when this doesn’t come as a surprise to us, because I can’t wait until other people outside of our race will finally recognize and know our worth.

Black Panther is leading in box office sales for 2018 right now and it’s not even close! Thanks to us for showing up and showing out! Additionally, I wnat to shout out the Marvel fanboys as well, but let me put this in perspective. Black Panther opened up their box office weekend outdoing Thor: Ragnarok, Spiderman: Homecoming, Wonder Woman, Justice League, Logan, AND Guardians of the Galaxy Vol 2 last year. Only being beat by Star Wars: The Last Jedi in 2017.

THIS IS WHAT I’M TALKING ABOUT PEOPLE! WE! SHOWED! UP!

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And what’s so much better about this, is that THEY. SHOWED. UP. The Director/Writer, the Actors, every single person who was a part of this project. Black Panther was more than just a superhero movie. It oozed of culture. It celebrated our culture! Even though Wakanda is very advanced, you see women wearing their hair beautifully, naturally, dressed in ensembles that oozed of African prints that seemed to be influenced by Kenyan cloth (I’m sure I’m wrong on the country here, don’t kill me). Even when you see T’challa and crew walking through the city, you see shops with Wakandans selling goods and merchandise, as it being the normal way of living. These people of Wakanda were showing their beauty. Taking Pride in their culture. The dances seen when the “battle” for King went on. The fact that the fate of Wakanda almost SOLELY depended on the women. When you think of advanced civilizations, you don’t think of markets, you don’t think of unpermed natural hair, you don’t think of African print clothing.. I LOVED IT. EVERY. SINGLE. SECOND.

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I’m so glad that Black Panther embodies this, because for the people that are not of color and do not know much about African culture, they were able to see a part of our history in a positive light. Usually, black people are portrayed as dumb, drug addicts, weed smoking, criminals of some sort and we are so tired of being represented this way in the mainstream. This is why we love ourselves. This is why we love to celebrate were we come from, because in most instances it has been stripped away from us. We barely see or know our history. We were taken away from our roots and forced to work as slaves for hundreds of years. This leads us to yearn and celebrate where we come from. From being descendants of Kings and Queens, to being knocked down to virtually nothing during slavery, only to come back out on top hundreds of years later gives me hope and promise and just joy that my black is beautiful and that I am worth it.

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The release of Black Panther is an event! It’s own “comic-con” of sorts. I encourage all of us to embrace our blackness and continue to show the world how amazing we are. I’ve only decided to focus on Black Panther for this post, but we are doing amazing things in music, TV, and movies. Continue to be proud and continue to support us, as we are worth every single ounce of our existence. And don’t let anyone tell you differently.

#wakandaForever

“Today, I got time…”

There’s this saying from a YouTube video (that I’m kind of ashamed to even share here) that I’ve just really been embracing recently.  It’s kind of been my mantra.  “Usually I don’t have time but today, I got time”.  And the funny thing about this is that I thought I didn’t have time before, and that I just gave no f*cks, but come to find out, I do give a f*ck and I INDEED, got a lot of time.

Most people tend to say “I don’t have time for ______ today”.  But recently it has come to my attention that if you don’t have time for someone and their BS at that moment, you better find time soon because whomever you didn’t have time for then, WILL be back with that BS later.

So yeah today, I got time, and will considerably have A LOT of time moving forward.  I’m over ignoring ignorance and childish behavior, and I will no longer participate in it because honestly, some things just need to be nipped in the bud there and then.

So when you want to say some racist shit to me, I got time.  If I’ve told you “No” on multiple occasions and you’re still in my face, I got time.  If you defend Donald Trump and sincerely think he’s a good president, I got time. If you say some LGBTQ-phobic shit, I got time.  If you feel like you are going to disrespect me or anyone else I care about, I got time. If you’re on some anti-feminism, misogynist BS, I got time. If you come for me and I ain’t even send for you, I got time.  If you text me some off the wall mess, I got time.  If you lied to me and I find out, I got time.  

And sure, sometimes people just need to be ignored, but there are some people who just don’t understand. So for the ones that don’t get the silent treatment, I will, for sure, have time for them today. 

And for the friends who you got time for, but seem to still not get it, it may be time to cut them out completely… 

Because ain’t nobody got time for that…

“Filthy” is exactly that…

FUNK is BACK!

Childish Gambino started it, then Bruno Mars picked it up and did it justice, and now Justin Timberlake is riding the wave with them!

Upon first listen of Justin Timberlake’s new track “Filthy” I wasn’t really feeling it.  I felt disappointed. It was the first thing I woke up to. Like a child on Christmas morning, I was expecting the greatest gift, but got left with Socks and tshirts.

But then I watched the video.

Justin Timberlake, looking like Steve Jobs, walks out to a round of applause to his “fans” per se, to show off his newest accomplishment.  And to nobody’s surprise, the crowd is eating it up.  They love his new dancing robot machine.  A proud JT is standing on the sidelines watching his newest invention dance around and mirror Michael Jackson’s swag (we’ll get to this a little later) and then once he’s done showing off his robot, *POOF*, he disappears.

Now, again, I’m not a journalist.  I’m hardly an intellectual.  But there are some metaphors in the video that made me like the song a little bit more as a whole.  I still wasn’t a fan of it mostly, and the reason why was just that it was kind of like SexyBack when it first came out.  Just a Pop beat with repetitive lyrics.  SexyBack wasn’t really supposed to be a “work of art”. It was there to serve a purpose of just being a banger, get everybody moving, and it eventually made it to that point.

But the video, long story short I think, represents how society is so zombified by tech in this world that we’re just ready for the “Next Big Thing” all the time.  And we’re so blind to maybe how simple this “big thing” is.  And JT, his character rather, is on the sidelines just eating it up.  He has his next wave of fans for the next year that will just buy anything.  Then at the end of the video, he disappears.  Where to? Nobody knows, but something tells me he’s put into the woods, to learn his “roots”.  Or whatever. Who knows…

This train of thought allowed me to appreciate the song a little better as a whole, accompanied with the video.  But then it was time to get my headphones and dissect the instrumentals, and MY GAWD, Timbo, Danja, and JT killed the instrumentals on this track.

Now this…this was the real “Filthy” part of this song.  From the intro, the song starts out bold, like you knew it was about to be high energy.  It had this whole Rock “Now coming to the stage” vibe, then he instantly changes it to these calm, trancey sounding synth, and mysterious 808 pattern. It was almost like a disappointment of sorts.  Like, all of this fanfare and lights and sound, and you show up with THIS? But a lot of times, we’re looking for the excitement when the genius of the track is right under your nose.  If you listen to it closely, you’ll be nodding your head in no time.  8 bars after the true beat starts this NASTY ass Bass guitar comes in and just freaks it. Then you get the lead guitar putting a little country twang in there to give a little foreshadowing vibe of the “woods” part of this project.  The animal adlibs along the way helps out to identify this in the track as well.  And once you get every part of the song rolling, it’s a embodiment of some old funk, soul, country sounding pop. I also noticed a little Michael Jackson vibe in his tone as well.  This along with the dance moves of the robot in the video, definitely lets you know that he at least slightly channeled MJ on this track.

Overall, I think it’s a sick track.  The socks and tshirts that I hated so much when I first unwrapped my present on Christmas morning ended up being the best thing I could ask for. Justin never disappoints me so yeah, I’m biased.  However, the weakest part of this song is the beat change-up near the end; It isn’t one of my favorites, but once they bring that “Filthy” Bass solo back into play before the outro I’m back into the trance.

I can’t wait to hear the rest of this album!

 

Edit: Totally forgot that Donald Glover is a part of the Funk Resurgence in Hip Hop

To assume will only make an ass out of yourself, and leave me laughing at you.

In response to “Justin Timberlake is rebranding himself as a white Man” From The Outline. An article about upcoming album “Man of the Woods” by Justin Timberlake.  

Dear Ann-Derrick,

This is satire, right? It has to be. I hope it is.

But just in case it isn’t…

I’m not a journalist, and I don’t try to be.  I’m just a casual blogger that has a lot to say and I read your post this week, only because I’m a big Justin Timberlake fan.  So yeah I may be a little biased, but I’m not blind.

Or maybe I am…However…

Something tells me that you’re probably not a fan of Justin Timberlake.  Something tells me that you have no earthly idea of how he’s carried himself through the entertainment and music industry for the last 23 years he’s been doing this thing.  We’ll just focus on the last 13 or so though, since his solo career is what you seem to have a problem with.

“Justin Timberlake is rebranding as a white man”. 

???

When was Justin Timberlake ever not white?  Ok Ok, I know, too literal, right?  So let’s look at it from a cultural standpoint.  From the start of your article, you visualize the settings from which Justin’s album teaser is set from (You did a good ass job with that, by the way).  And for some strange reason, I don’t have any idea why, you immediately think “Damn this is some white people shit”.  Just because he’s in some wilderness setting.

“White colonialist fantasies aside, there’s something very familiar about this pivot in Timberlake’s style.” 

These are your words.  Mind you, the album, NOR the single has even dropped at this point when you posted your article, so how is this pivot familiar? What pivot? What are you basing your opinion on? Additionally, how is this quote even related to his race? Oh, the visuals? Because this is some “white people shit”?  White people love the outdoors and wilderness.  But here’s a news flash.  Probably not many, but black people tend to love this as well, but that’s beside the point.  You’re assuming here that Timberlake’s visual association of wildlife to be sort of a “celebration” of his whiteness, and we all know what assuming things get you.

Authenticity is quite marketable now, and for white pop stars that means shifting away from the hip-hop and R&B-influenced sounds that made them famous, and toward the sounds of Southern and country rock. For Timberlake, the pivot should be sonically natural: Originally hailing from Tennessee, Timberlake has never been shy about celebrating his Southern origins. And considering Pharrell and Timbaland are both producers on the album, Man of the Woods is likely to retain some familiar influences.

So why are you even typing this article right now?

But with his insistence in the video that this album will be his most personal yet, Timberlake is indulging in the inexplicably popular fallacy that music with heavy country influences is somehow more profound or emotionally acute than music that is electronic, lyrics that are rapped, or songs that inspire listeners to shake their asses.

Have you heard the track yet? Because all of this assumption is just really causing a problem for me.

Not to straight up copy and paste your whole article here, but you are reaching SO MUCH.  I feel that you are reading too much into this.  Justin Timberlake has essentially grown over the years as an artist.  From a young teen heartthrob (Justified), to the sexy young adult (FutureSex/LoveSounds), to the experienced sexy adult (The 20/20 Experience) to full out husband and family man (Man of the Wild). He’s calling this his most profound and personal because this album is reflecting his personal life.  If writing about your family isn’t considered profound just on it’s own without including race then I’m not sure if you have a full grasp of the word.  How in the hell do you get “Justin is rebranding as a white man” out of this, is beyond me.

Timberlake has a long history with hip-hop and R&B, genres invented and dominated by black people(…)His first single as a solo artist featured legendary hip-hop duo Clipse and was co-written by The Neptunes.

Justin Timberlake has worked with Timbaland and The Neptunes for the vast majority of his solo career.  If anyone is to blame for him appropriating black culture, they share the blame.

Now that that is out of the way, Justin Timberlake’s first single “Like I Love You” with Clipse was a Pop track with a Rap feature. I don’t think I’ve ever heard that track on a single Hip Hop station growing up.  To add to that, Justified was solely a Pop album with hints of hip hop flare due to Timbaland and The Neptunes.  With the exception of “Cry Me a River”, Timberlake’s songs were rotated on Pop stations.

It wasn’t until FutureSex/LoveSounds when Justin got more play on Urban stations and even then only half of the album (if that) consisted of a straight up Urban tone. The rest of it was Pop.  Tell me the last time you heard “SexyBack” on a Hip Hop radio station? Don’t worry, I’ll wait.

With the 20/20 Experience, Justin ventured into Pop Soul, which had his most Urban influence for an album.  But it wasn’t that he was straight up jacking the hip hop style, he involved Pop into something different. Into something great, and I implore you to go back and listen to it.

Again I don’t think that you’ve really listened to Justin’s music.  Which I guess you don’t really have to, to come up with this crazy notion of an article you’ve written here.  Also, I feel that people of color don’t really appreciate Justin’s music other than his singles that play on urban hip hop stations.  Justin has never branded himself as black.  People just tend to have this mindset that he’s appropriating the culture and I feel that that’s where you get this notion about him branding himself as a black person.  And you know what, it’s fine to feel that he’s appropriating the culture, because to an extent, he is, but I feel that he’s appropriating by association, and who’s to blame for that?

Maybe that’s a conversation for another day…

 

Edit:  After speaking with a few friends on this topic, I may have missed the ultimate point of the original article.  However, I do feel that the original author is jumping the gun prematurely at the fact that the music has not been released. So who knows if Justin will be embracing his “white roots”.  Being able to “play the field” due to privilege is more of a societal issue than it is a personal issue. And maybe one day we can work on that.

Much Love